This study explores the discursive construction and media representations of Syrian refugees in relation to wider politics of nationalism and contested narratives of national identity in Turkey. For this purpose, frontpage coverage of 5 national dailies that were selected based on circulation size, target readership and ideological orientation were analyzed using Discourse-Historical Approach. News items and accompanying visuals sampled from Cumhuriyet, Yeni Akit, Hürriyet, Sözcü and Sabah were subjected to analysis through a set of paradigms that this study develops. These paradigms are Humanitarian, Religious, Economic, Socio-cult . . .ural and Demographic, Citizenship and Rights, respectively. Under each paradigm, associated subthemes of media framing with regard to the distinction between ‘us’ and ‘them’ are scrutinized. This research argues that media discourse on refugees cannot be separated from the broader social and political context and different narratives of who ‘we’ are. Media discourses of inclusion and exclusion that are intertwined; sometimes feeding each other and sometimes rejecting each other and are deeply interwoven with contemporary politics create meaning at social level regarding the representation of “Syrian refuge”
The research is designed to examine the essence and roots of Ukrainian nationalism of Western Ukraine, categories of identity regarding Ukrainians, and to present how modern Ukrainian national identity is constructed. The aim of the study is to understand within the broad context of nationalism the complexity of Ukrainian nationalism that does not fit the commonly used definition of a nation; common language, common religion, and common historical memory. The anthropological fieldwork is based on participant observation and in total 35 in-depth interviews which were conducted mainly in Lviv between 2014-2019. Moreover, in order to f . . .ully explore the notion of Ukrainian nationalism an analysis of national symbols, myths, traditions, and historical memory through its history is evaluated. Furthermore, the study analyzes the role of religion and OUN-UPA activities in shaping Ukrainian nationalism placing it also in the context of current political circumstances. The results of the research indicate that Ukrainian nationalism has its origins in Western Ukraine and then it spread from the West of Ukraine to the eastern parts of the country. As a consequence of the latest events; the Euromaidan Revolution, and the ongoing war with Russia, Ukrainian nationalism is being re-shaped and re-constructed. Those events caused also the resurrection of Stepan Bandera’s myth which is associated with Western Ukrain
In the 20th century, the issue of creating a national identity and fashioning the self gained significant importance as a consequence of the increasing nationalist movements and establishment of the unitary states with the collapse of empires. To create a collective identity consciousness in society, literature was utilized as one of the mediums, as it can be used in the service of different ideologies. First published in 1899, Eclipse of the Crescent Moon (Egri Csillagok) by Géza Gárdonyi focuses on creating the Hungarian national identity through the Turks, whereas The Siege (Kështjella) by Ismail Kadare, first published in 1970, . . .represents the siege of an unknown Albanian citadel by the Ottomans. The Orient – the Turks are the mutual enemy in both novels. In this work, both novels will be studied with their relations to the history and the era, and the political conditions they were written. Frontier Orientalism by Andre Gingrich and Selffashioning by Stephen Greenblatt will be the main theories to study both literary works
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6698 sayılı Kişisel Verilerin Korunması Kanunu kapsamında yükümlülüklerimiz ve çerez politikamız hakkında bilgi sahibi olmak için alttaki bağlantıyı kullanabilirsiniz.