New inclinations in the museumification process of private museums in turkey after 2010

  • Yayın Turu [Akademik] Preprint
  • Yayın Tarihi 2022
  • Yayıncı Yeditepe University Academic and Open Access Information System
  • Tek Biçim Adres https://hdl.handle.net/20.500.11831/7966

This study comprises the development of art collectorship in Turkey through the concept of collections and in comparison with the Western world, the transformation of these art collections into private museums in the 2000s, and the new inclinations regarding the location choices of private museums after 2010. Ever since the prehistoric period, humans have researched, discovered, and collected, evolving over the centuries to do it consciously and consistently, becoming collectors, and later, with rational categorization and institutionalization, secularizing their collections, thus establishing museums. Becoming wealthier through commerce, while collectorship developed in Europe starting with the Renaissance in the 15th century, leading to collections becoming public in the 17th century and the start of modern museumification in the century that followed, it was the bourgeoisie that birthed European collectorship. The foundations of art collectorship lay with the autonomy and the commodification of art, which created its own market. Thus, art collectorship and the art market always progress simultaneously. In the Republic of Turkey, liberal economic policies starting in the 1980s allowed private capital to take over from the state, launching a period where artworks and collectorship increased. Attempting to integrate itself with the world as a result of the globalization policies of the 1990s, the 2000s for the Turkish art market, dominated by private capital, coincide with a highly dynamic period when the recently growing population of art collectors founded private museums in İstanbul by which they could receive exposure and recognition This period saw the emergence of culture and arts events and activities in the periphery. After 2010 this was followed by collectors who wished to bring their collections to the lands where they were born and dreamt about showing revealing the existence of a culture outside the center, who then established museums towards that goal.

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Eser AdıNew inclinations in the museumification process of private museums in turkey after 2010
Yazar [Asıl]Salar, İlkay
Yazar DepartmanıYeditepe University Graduate School of Social Sciences
Yazar DepartmanıYeditepe University Graduate School of Social Sciences Master’s Program in Arts and Culture Management
Yayın Tarihi2022
Yayın Turu [Akademik]preprint
Yayın Türü [Ortam]application/pdf
Konu Başlıkları [Genel]Collection
Konu Başlıkları [Genel]Collectorship
Konu Başlıkları [Genel]Art Market
Konu Başlıkları [Genel]Private Museums
Konu Başlıkları [Genel]Koleksiyonerlik
Konu Başlıkları [Genel]Özel Müzeler
YayıncıYeditepe University Academic and Open Access Information System
Dileng
Özet BilgisiThis study comprises the development of art collectorship in Turkey through the concept of collections and in comparison with the Western world, the transformation of these art collections into private museums in the 2000s, and the new inclinations regarding the location choices of private museums after 2010. Ever since the prehistoric period, humans have researched, discovered, and collected, evolving over the centuries to do it consciously and consistently, becoming collectors, and later, with rational categorization and institutionalization, secularizing their collections, thus establishing museums. Becoming wealthier through commerce, while collectorship developed in Europe starting with the Renaissance in the 15th century, leading to collections becoming public in the 17th century and the start of modern museumification in the century that followed, it was the bourgeoisie that birthed European collectorship. The foundations of art collectorship lay with the autonomy and the commodification of art, which created its own market. Thus, art collectorship and the art market always progress simultaneously. In the Republic of Turkey, liberal economic policies starting in the 1980s allowed private capital to take over from the state, launching a period where artworks and collectorship increased. Attempting to integrate itself with the world as a result of the globalization policies of the 1990s, the 2000s for the Turkish art market, dominated by private capital, coincide with a highly dynamic period when the recently growing population of art collectors founded private museums in İstanbul by which they could receive exposure and recognition This period saw the emergence of culture and arts events and activities in the periphery. After 2010 this was followed by collectors who wished to bring their collections to the lands where they were born and dreamt about showing revealing the existence of a culture outside the center, who then established museums towards that goal.
Kayıt Giriş Tarihi2022-09-21
Açık Erişim Tarihi2022-09-21
HaklarYeditepe University Academic and Open Access Information System
Erişim HakkıOpen Access
Telif HakkıUnless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated.
Telif Hakkı Urlhttp://creativecommons.org/licenses/by-nc-nd/4.0
Telif Hakkı Urlhttps://rightsstatements.org/page/InC-NC/1.0/?language=en
Açıklama [Genel]Final published version
Açıklama [Not]Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field.
Tanım Koleksiyon BilgisiThis item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr
Tek Biçim Adreshttps://hdl.handle.net/20.500.11831/7966
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