The aim of this thesis is to analyze the main female characters in two short stories and a novel written in three different periods, using the conceptual analysis framework that Kate Millett puts forward in her 1970 work Sexual Politics. In her book Sexual Politics, Millett formulated two important concepts as “sexual politics” and “sexual revolution” and focused on how the family institution and genders were handled in literary works. The most important contribution of her work and the reason why it is one of the founding texts of the second wave feminist movement is that she sees the abolition of the traditional family structure as the basic prerequisite for a real sexual revolution. Millett saw the patriarchal social structure as the biggest obstacle to the emancipation of women. In this direction, the present work discusses stories of women who belong to the middle class and try to fulfill their roles as wives and mothers congruously in the traditional family lives of their historical periods, but lose their harmonious existence as soon as they feel that they are confined to this family structure. Studies to be considered are Charlotte Perkins Gilman's short story "The Yellow Wallpaper" (1892), Doris Lessing's story "To Room Nineteen" (1963), and Margaret Atwood's novel "The Blind Assassin" (2000).
Eser Adı (dc.title) | Women’s confinement and struggle against the patriarchal family structure: a feminist analysis of selected women’s writing in the light of Kate Millett’s concept of sexual politics |
Yazar [Asıl] (dc.creator.author) | Aslan, Pınar |
Yazar Departmanı (dc.creator.department) | Yeditepe University Graduate School of Social Sciences |
Yazar Departmanı (dc.creator.department) | Yeditepe University Graduate School of Social Sciences Master’s Program in English Language and Literature |
Yayın Tarihi (dc.date.issued) | 2023 |
Yayın Turu [Akademik] (dc.type) | preprint |
Yayın Türü [Ortam] (dc.format) | application/pdf |
Konu Başlıkları [Genel] (dc.subject) | Feminist literature |
Konu Başlıkları [Genel] (dc.subject) | Feminist critics |
Konu Başlıkları [Genel] (dc.subject) | Image of mad woman |
Konu Başlıkları [Genel] (dc.subject) | Kate millett |
Konu Başlıkları [Genel] (dc.subject) | Sexual politics |
Konu Başlıkları [Genel] (dc.subject) | Feminist edebiyat |
Konu Başlıkları [Genel] (dc.subject) | Feminist eleştirmenler |
Konu Başlıkları [Genel] (dc.subject) | Çılgın kadının görüntüsü |
Konu Başlıkları [Genel] (dc.subject) | Cinsel politika |
Yayıncı (dc.publisher) | Yeditepe University Academic and Open Access Information System |
Dil (dc.language.iso) | eng |
Özet Bilgisi (dc.description.abstract) | The aim of this thesis is to analyze the main female characters in two short stories and a novel written in three different periods, using the conceptual analysis framework that Kate Millett puts forward in her 1970 work Sexual Politics. In her book Sexual Politics, Millett formulated two important concepts as “sexual politics” and “sexual revolution” and focused on how the family institution and genders were handled in literary works. The most important contribution of her work and the reason why it is one of the founding texts of the second wave feminist movement is that she sees the abolition of the traditional family structure as the basic prerequisite for a real sexual revolution. Millett saw the patriarchal social structure as the biggest obstacle to the emancipation of women. In this direction, the present work discusses stories of women who belong to the middle class and try to fulfill their roles as wives and mothers congruously in the traditional family lives of their historical periods, but lose their harmonious existence as soon as they feel that they are confined to this family structure. Studies to be considered are Charlotte Perkins Gilman's short story "The Yellow Wallpaper" (1892), Doris Lessing's story "To Room Nineteen" (1963), and Margaret Atwood's novel "The Blind Assassin" (2000). |
Kayıt Giriş Tarihi (dc.date.accessioned) | 2024-01-19 |
Açık Erişim Tarihi (dc.date.available) | 2024-01-19 |
Haklar (dc.rights) | Yeditepe University Academic and Open Access Information System |
Erişim Hakkı (dc.rights.access) | Open Access |
Telif Hakkı (dc.rights.holder) | Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated. |
Telif Hakkı Url (dc.rights.uri) | http://creativecommons.org/licenses/by-nc-nd/4.0 |
Telif Hakkı Url (dc.rights.uri) | https://rightsstatements.org/page/InC-NC/1.0/?language=en |
Açıklama [Genel] (dc.description) | Final published version |
Açıklama [Not] (dc.description.note) | Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field. |
Tanım Koleksiyon Bilgisi (dc.description.collectioninformation) | This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr |
Tek Biçim Adres (dc.identifier.uri) | https://hdl.handle.net/20.500.11831/8216 |