This study aims to investigate the ways in which poststructuralism, psychoanalysis and postmodernism have contributed to the development of autofiction. It is contended that the genre has a dialectical relationship with the twentieth century critical theories. Autofiction both affirms and questions the poststructuralist dismantling of the traditional perspectives on the concepts of authority, authenticity and truth by bringing the authorial presence back to the text but fictionalising it to some extent, committing to narrate the truth but creating an ambivalence around it. Autofiction engages with both the possibilities and limits o . . .f language in representing the referential world. Autofiction accepts that language fails to portray the reality truthfully; however, at the same time, it holds what language creates to be still connected to the reality of the author. Autofiction’s contention of the possibility of truth depends heavily on psychoanalytic theories. It is observed that although autofiction assumes the subject to be fractured by the unconscious and denied access to the whole picture of the self’s reality, little pieces of information that are recovered through psychoanalytic processes in autofictional narration provide truthful insights into selfhood and create opportunities to conceive subjective versions of reality. Finally, the postmodernist presumption of collapse of grand narratives is argued to have paved way to autofiction’s preoccupation with subjective histories. As district from the postmodernist emphasis on irony, autofiction is considered as intending to provide a truthful representation of the referential by exploring multiple possibilities of the subject and embodied experience
The aim of the present study is to explore the emancipatory potential of revisionist mythmaking strategies employed in two contemporary novels, Margaret Atwood’s The Penelopiad (2005) and Latife Tekin’s Muinar (2006), through dialogic, intertextual, and deconstructive relations. Offering a comparative account by means of a three-fold theoretical basis between the two novels, this dissertation explores women’s paths to seek justice. Both novels portray rebellious women and give voice to their alternative stories. The analysis demonstrates that the retelling of mythic tales connects the past to the present and narrows the gap between . . .absence and presence via specters. To this end, the thesis firstly examines dialogism and the way it is used to challenge the credibility of a narrator. In doing so, it draws on Bakhtin’s dialogism and its feminist interpretations. The second aim is to investigate how women oppose hegemonic discourse(s) through the dynamics of intertextuality. These dynamics and strategies are predominantly discussed with the ideas of various female critics such as Ostriker, Irigaray, and Cixous. In the last analysis, the study focuses on the concept of justice via Derridean deconstruction. Both novels are accordingly analyzed with references to concepts such as différance, justice l’avenir, and hauntology
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6698 sayılı Kişisel Verilerin Korunması Kanunu kapsamında yükümlülüklerimiz ve çerez politikamız hakkında bilgi sahibi olmak için alttaki bağlantıyı kullanabilirsiniz.