The main purpose of this study is to examine the orientalist and nostalgic conditions as well as images reflected in British travel writers, specifically in Patrick Leigh Fermor’s travel trilogy consisting of A Time of Gifts (1977), Between the Woods and Water (1986) and A Broken Road: From the Iron Gates to Mount Athos (2013), and Georgina Harding’s In Another Europe: A Journey into Romania (1990). This work mainly utilizes theories regarding orientalism such as those of Edward Said, Andre Gingrich and Maria Todorova, in addition to Joep Leerssen’s theory of imagology and Svetlana Boym’s theories of nostalgia. Furthermore, this the . . .sis aspires to underline the orientalist conditions in the said works, by providing imagological examples that support these conditions and how they interact with nostalgic conditions felt or observed by authors. The orientalist conditions are handled in correlation with the conditions of the interwar period and the end of the cold war while the images reproduced by various peoples are underlined as contributing factors for both orientalist and nostalgic discourse
This thesis endeavours to explore the enchanting power of beauty and its history. This thesis aims at examining the enchanting power of beauty on selected characters in Oscar Wilde’s The Picture of Dorian Gray and Mary Elizabeth Braddon’s Lady Audley’s Secret. It further aims at examining the effects of possessing the power of beauty on the characters that possess it, namely Dorian Gray and Lady Audley. This thesis particularly focuses on the descriptions of the portraits of the protagonists in the two novels, on their effects on whoever looks at them and on the complex relationship between pictorial representation, beauty and truth . . .. Furthermore, the significance of beauty in the two novels will be discussed inside the framework of Victorian Aestheticism. To carry out the research this thesis addresses the following questions: What is the significance of beauty, and what is the extent of the power of beauty in Lady Audley’s Secret and The Picture of Dorian Gray? How is beauty represented in the portraits of Lady Audley and Dorian Gray? What is the relationship between outward and inward beauty in these portraits
This study aims at exploring Elif Batuman’s The Idiot and Either/Or from a transcultural perspective. This study examines Elif Batuman’s novels from an interdisciplinary perspective combining Wolfgang Welsch’s philosophical approach to transculturalism, transcultural literary studies as well as Bakhtinian concepts such as polyphony and intertextuality. Benefitting from this framework, the present study highlights the themes of the representation of national identity, mobility, cultural and linguistic diversity in Batuman’s fiction. The study also emphasizes how the protagonist transcends the stable categories related to identity and . . . fiction writing within the framework of transculturalis
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6698 sayılı Kişisel Verilerin Korunması Kanunu kapsamında yükümlülüklerimiz ve çerez politikamız hakkında bilgi sahibi olmak için alttaki bağlantıyı kullanabilirsiniz.