Kitsch, like many art concepts, went beyond the boundaries of art and began to affect individuals and society. In consumer society, many imitations, cheap, serial, fake products and repetitions of their have been proliferated. With its lack of artistic concern, creativity and originality, kitsch products have caused art to lose its autonomy and enter into a commercial configuration. In this study, a survey study was conducted to reach art educators' opinions about Kitsch products. Educators working in various departments of Fine Arts Faculties were emailed and asked if they agreed with the study opinion. It was considered that the m . . .ost important points of the literature review were utilized to develop survey questions, which included demographic questions and propositions. According to the questionnaire responses, all of the educators regard kitsch as an industrial object for decorative purpose that is aesthetically deficient and entertaining to society. However, this study show that, while the great majority of faculty members do not purchase kitsch objects, a significant proportion of them argue that not all bad art should be labeled as kitsch. According to this study, which supports literature review, art educators are concerned about the rising consumption of kitsch items, as well as the commercialization of art, creativity, and uniqueness, and its service to capitalism. In the survey findings, different outcomes were obtained based on age groupings. Participants were indecisive whether kitsch was aesthetically deficient, and no clear conclusions were obtained. While 25 - 35 year olds are indecisive on whether kitsch is art, 36-45 year olds are strongly opposed, while 46-59 year olds are more open to kitsch
Cosmic Horror, developed by H. P. Lovecraft, is a subgenre of science fiction, fantasy and horror. Cosmic horror is about the fear of the unknowable. It is usually about threatening beings from outer space or ancient malevolent mysteries. It has also played a key role in the development of horror cinema. Unlike stereotypical horror themes, deep stories about the pains of human existence are included in the cosmic horror subgenre. This thesis presents a research on feature films that are directly or indirectly related to thecosmic horror genre. With this aim, some sample films were selected and some sequencesof these films were analy . . .zed using the semiotic method. Moreover, in order to make an evaluation on horror films in Turkish cinema, participants who have produced works in the horror genre were interviewed. They were asked to answer specific questions. A conclusion was finally reached based on the collected findings
Yeditepe Üniversitesi, akademisyen ve lisansüstü öğrencilerinin iç ve dış paydaşlarla ürettikleri bilimsel çalışmalarını, Akademik Açık Arşivi’nde elektronik olarak yayınlayarak ülkemiz ve insanlık yararına sunar.
Yeditepe Üniversitesi Akademik Açık Arşivi’nde bulunan tüm kaynaklar, telif haklarına uygun şekilde ve açık erişim olarak yayınlanır.
Preprint (ön baskı), yayınlanmış makaleler ve diğer bilimsel belgeler Yeditepe Üniversitesi birimleri, araştırmacı adları, yayın tarihi ve anahtar kelimelere göre kategorize edilerek sunulmuştur.
Yeditepe University provides the scientific studies conducted by academicians and graduate students with internal and external partners for the benefit of our country and humanity by publishing them electronically in the Academic Open Archive. All resources in the Yeditepe University Academic Open Archive are published in accordance with copyright and open access. Preprint published articles and other scientific documents are categorised on the basis of Yeditepe University units, researcher names, publication date and keywords.
6698 sayılı Kişisel Verilerin Korunması Kanunu kapsamında yükümlülüklerimiz ve çerez politikamız hakkında bilgi sahibi olmak için alttaki bağlantıyı kullanabilirsiniz.