The purpose of this study is to conduct a comprehensive analysis by identifying the formal similarities and functional differences between “Tronie” painting and portrait painting that emerged in Dutch Golden Age painting of the XVII century. The aspects of Tronie painting that deviate from the standard understanding of portraiture are not easy to determine, as it has broad significance in its own genre. It has been misinterpreted by scholars due to the stylistic similarities it exhibits in research, and the form-content structure has been analyzed and clarified with recent studies. Our study has shown that Tronie painting, although formally similar to portraiture and other genre paintings, is a distinct genre in which artists clearly show their technical mastery; it is grouped within itself and reflected in other genre paintings of the period. The findings obtained through the analyzes we have made have confirmed the hypothesis that Tronie painting is an independent genre, showing its adherence to the painting tradition. It occupies an important place in the process of development of the history of painting, as it enriches portrait painting through the experimental (empirical) basis it provides to painters.
Title (dc.title) | ‘Tronie’ in dutch painting of the XVII Century |
Alternative (other) Title Name (dc.title.alternative) | ‘Tronie’ in Dutch Painting of the 17th Century |
Author [Asıl] (dc.creator.author) | Köklüce, Zeynep |
Yazar Departmanı (dc.creator.department) | Yeditepe University Graduate School of Social Sciences |
Yazar Departmanı (dc.creator.department) | Yeditepe University Graduate School of Social Sciences Master’s Program in Arts and Culture Management |
Publication Date (dc.date.issued) | 2023 |
Publication Type [Academic] (dc.type) | preprint |
Publication Type [Media] (dc.format) | application/pdf |
Subject Headings [General] (dc.subject) | Tronie |
Subject Headings [General] (dc.subject) | Portrait |
Subject Headings [General] (dc.subject) | Dutch painting of the Golden Age |
Subject Headings [General] (dc.subject) | Painting technique |
Subject Headings [General] (dc.subject) | Vesika |
Subject Headings [General] (dc.subject) | Boyama tekniği |
Subject Headings [General] (dc.subject) | Altın Çağ'ın Hollanda resmi |
Publisher (dc.publisher) | Yeditepe University Academic and Open Access Information System |
Language (dc.language.iso) | eng |
Abstract (dc.description.abstract) | The purpose of this study is to conduct a comprehensive analysis by identifying the formal similarities and functional differences between “Tronie” painting and portrait painting that emerged in Dutch Golden Age painting of the XVII century. The aspects of Tronie painting that deviate from the standard understanding of portraiture are not easy to determine, as it has broad significance in its own genre. It has been misinterpreted by scholars due to the stylistic similarities it exhibits in research, and the form-content structure has been analyzed and clarified with recent studies. Our study has shown that Tronie painting, although formally similar to portraiture and other genre paintings, is a distinct genre in which artists clearly show their technical mastery; it is grouped within itself and reflected in other genre paintings of the period. The findings obtained through the analyzes we have made have confirmed the hypothesis that Tronie painting is an independent genre, showing its adherence to the painting tradition. It occupies an important place in the process of development of the history of painting, as it enriches portrait painting through the experimental (empirical) basis it provides to painters. |
Record Add Date (dc.date.accessioned) | 2023-11-10 |
Açık Erişim Tarihi (dc.date.available) | 2023-11-10 |
Haklar (dc.rights) | Yeditepe University Academic and Open Access Information System |
Erişim Hakkı (dc.rights.access) | Open Access |
Copyright (dc.rights.holder) | Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated. |
Copyright Url (dc.rights.uri) | http://creativecommons.org/licenses/by-nc-nd/4.0 |
Copyright Url (dc.rights.uri) | https://rightsstatements.org/page/InC-NC/1.0/?language=en |
Description (dc.description) | Final published version |
Description [Note] (dc.description.note) | Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field. |
Description Collection Information (dc.description.collectioninformation) | This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr |
Yazar [KatkıdaBulunan] (dc.contributor.author) | Resuloğlu, Teymur Rzayev |
Author [Contributor] Institution (dc.contributor.institution) | Yeditepe University Faculty of Arts Sciences |
Author [Contributor] Institution (dc.contributor.institution) | Yeditepe University Faculty of Arts Sciences Plastic Arts and Painting Department |
Author Contributor OrcID (dc.contributor.authorOrcid) | 0000-0002-1674-7286 |
Single Format Address (dc.identifier.uri) | https://hdl.handle.net/20.500.11831/8044 |