Critical stance in popular/postmodern literary magazines: mainstream or alternative?

  • Tekin, Vildan
  • _preprint
  • تاريخ النشر 2023
  • Yayıncı Yeditepe University Academic and Open Access Information System
  • Tek Biçim Adres https://hdl.handle.net/20.500.11831/8048

It is possible to say that a new era has begun in the field of literary journalism in the last ten years. Magazines in this new format, one of the products of popular culture produced for mass consumption; use left figures in their cover designs and left values ​​in their content and define/introduce themselves as "left". In these magazines, the oppositional language of the youth subculture and the ironic, sarcastic, and humorous language that emerged after the Gezi resistance stand out. For this reason, the approach that the magazines are an alternative symbolic field of struggle is common, both in academic studies and in the cultural field. In another approach, attention is drawn to the fact that magazines are products of the culture industry and commodify literature/art. In this study, it is claimed that the critical stance put forward by the magazines deemed appropriate to be called popular/postmodern literary magazines reproduces the dominant ideology. It has been tried to reveal the philosophical framework of the current critical stance in the magazines with examples of idealism, the cultural framework of postmodernism, and the theoretical framework of postMarxism. The existence of these frameworks implies the reproduction of the dominant ideology. In this study, it is aimed to draw attention to the relationship between philosophy, culture and social conditions based on these frameworks. It is a common phenomenon that what is presented "critically" in academic studies and in the cultural field intersects with what is "sovereign" and even serves it. In this way, it produces a "criticality" suitable for its own interests by breaking the "sovereign" and "critical" out of its context. In this study, which uses the Marxist approach and its method, dialectic, the popular/postmodern literary magazines Ot, Kafa and Bavul were examined based on the concept of criticism. Keywords: Criticism; Idealism; Left Melancholy; Popular/Postmodern Literary Magazines; Postmodernism; PostMarxism

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(dc.title)
Critical stance in popular/postmodern literary magazines: mainstream or alternative?

(dc.creator.author)
Tekin, Vildan

(dc.creator.department)
Yeditepe University Graduate School of Social Sciences

(dc.creator.department)
Yeditepe University Graduate School of Social Sciences Doctoral Program in Media Studies
تاريخ النشر
(dc.date.issued)
2023

(dc.type)
preprint

(dc.format)
application/pdf

(dc.subject)
Criticism

(dc.subject)
Idealism

(dc.subject)
Left Melancholy

(dc.subject)
Popular/Postmodern Literary Magazines

(dc.subject)
Postmodernism

(dc.subject)
PostMarxism

(dc.subject)
Eleştiri

(dc.subject)
İdealizm

(dc.subject)
Sol Melankoli

(dc.subject)
Popüler/Postmodern Edebiyat Dergileri

(dc.subject)
Postmodernizm
Yayıncı
(dc.publisher)
Yeditepe University Academic and Open Access Information System
اللغة
(dc.language.iso)
eng

(dc.description.abstract)
It is possible to say that a new era has begun in the field of literary journalism in the last ten years. Magazines in this new format, one of the products of popular culture produced for mass consumption; use left figures in their cover designs and left values ​​in their content and define/introduce themselves as "left". In these magazines, the oppositional language of the youth subculture and the ironic, sarcastic, and humorous language that emerged after the Gezi resistance stand out. For this reason, the approach that the magazines are an alternative symbolic field of struggle is common, both in academic studies and in the cultural field. In another approach, attention is drawn to the fact that magazines are products of the culture industry and commodify literature/art. In this study, it is claimed that the critical stance put forward by the magazines deemed appropriate to be called popular/postmodern literary magazines reproduces the dominant ideology. It has been tried to reveal the philosophical framework of the current critical stance in the magazines with examples of idealism, the cultural framework of postmodernism, and the theoretical framework of postMarxism. The existence of these frameworks implies the reproduction of the dominant ideology. In this study, it is aimed to draw attention to the relationship between philosophy, culture and social conditions based on these frameworks. It is a common phenomenon that what is presented "critically" in academic studies and in the cultural field intersects with what is "sovereign" and even serves it. In this way, it produces a "criticality" suitable for its own interests by breaking the "sovereign" and "critical" out of its context. In this study, which uses the Marxist approach and its method, dialectic, the popular/postmodern literary magazines Ot, Kafa and Bavul were examined based on the concept of criticism. Keywords: Criticism; Idealism; Left Melancholy; Popular/Postmodern Literary Magazines; Postmodernism; PostMarxism
Kayıt Giriş Tarihi
(dc.date.accessioned)
2023-11-10
Açık Erişim Tarihi
(dc.date.available)
2023-11-10
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(dc.rights)
Yeditepe University Academic and Open Access Information System

(dc.rights.access)
Open Access

(dc.rights.holder)
Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated.

(dc.rights.uri)
http://creativecommons.org/licenses/by-nc-nd/4.0

(dc.rights.uri)
https://rightsstatements.org/page/InC-NC/1.0/?language=en

(dc.description)
Final published version

(dc.description.note)
Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field.

(dc.description.collectioninformation)
This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr

(dc.contributor.author)
Özonur, Defne

(dc.contributor.institution)
Yeditepe University Faculty of Communication

(dc.contributor.institution)
Yeditepe University Faculty of Communication Department of Radio, Television and Cinema

(dc.contributor.authorOrcid)
0000-0002-2333-7947
Tek Biçim Adres
(dc.identifier.uri)
https://hdl.handle.net/20.500.11831/8048
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