Social mobility from city to province in new Turkish cinema

This thesis deals with the reflection of the concept of social mobility from the city to the province in the movies produced between the years 1990 and 2000, when the New Turkish Cinema came to the fore in Turkey. Before 1990, the mobility from the countryside to the city was on the contrary, towards the countryside again. For this reason, the homeland of the New Turkish Cinema is the countryside. Especially after 1990, the increasing importance of the countryside in cinema means a mood for the characters rather than being a place. In a perspective stretching from the end of the 90s to the 2000s, the countryside is sometimes defined as a place to live in and sometimes to return to. After the transition from the city to the countryside was explained in the cinema during the Yeşilçam period, the return to the countryside in the New Turkish Cinema was tried to be explained through the films “KışUykusu”, “Yumurta”, “Ana Yurdu” and “Kelebekler”. The main reason for limiting the study to these four films is that these films, which were shot in different periods and by different directors, can unite on common ground thematically. The plots of these four films unite under the themes of returning to the countryside as a form of reconstruction, returning to the countryside after trauma, returning to the countryside as an intellectual crisis, and returning to the countryside in the pursuit of lost time.

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Detaylı Görünüm
Eser Adı
(dc.title)
Social mobility from city to province in new Turkish cinema
Yazar [Asıl]
(dc.creator.author)
Çağlar, Çağla
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences Master’s Program in Arts and Culture Management
Yayın Tarihi
(dc.date.issued)
2023
Yayın Turu [Akademik]
(dc.type)
preprint
Yayın Türü [Ortam]
(dc.format)
application/pdf
Konu Başlıkları [Genel]
(dc.subject)
Center
Konu Başlıkları [Genel]
(dc.subject)
City
Konu Başlıkları [Genel]
(dc.subject)
New turkish cinema
Konu Başlıkları [Genel]
(dc.subject)
Periphery
Konu Başlıkları [Genel]
(dc.subject)
Province
Konu Başlıkları [Genel]
(dc.subject)
Yeni Türk sineması
Yayıncı
(dc.publisher)
Yeditepe University Academic and Open Access Information System
Dil
(dc.language.iso)
eng
Özet Bilgisi
(dc.description.abstract)
This thesis deals with the reflection of the concept of social mobility from the city to the province in the movies produced between the years 1990 and 2000, when the New Turkish Cinema came to the fore in Turkey. Before 1990, the mobility from the countryside to the city was on the contrary, towards the countryside again. For this reason, the homeland of the New Turkish Cinema is the countryside. Especially after 1990, the increasing importance of the countryside in cinema means a mood for the characters rather than being a place. In a perspective stretching from the end of the 90s to the 2000s, the countryside is sometimes defined as a place to live in and sometimes to return to. After the transition from the city to the countryside was explained in the cinema during the Yeşilçam period, the return to the countryside in the New Turkish Cinema was tried to be explained through the films “KışUykusu”, “Yumurta”, “Ana Yurdu” and “Kelebekler”. The main reason for limiting the study to these four films is that these films, which were shot in different periods and by different directors, can unite on common ground thematically. The plots of these four films unite under the themes of returning to the countryside as a form of reconstruction, returning to the countryside after trauma, returning to the countryside as an intellectual crisis, and returning to the countryside in the pursuit of lost time.
Kayıt Giriş Tarihi
(dc.date.accessioned)
2024-01-15

(dc.date.available)
2024-01-15
Haklar
(dc.rights)
Yeditepe University Academic and Open Access Information System
Erişim Hakkı
(dc.rights.access)
Open Access
Telif Hakkı
(dc.rights.holder)
Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated.
Telif Hakkı Url
(dc.rights.uri)
http://creativecommons.org/licenses/by-nc-nd/4.0
Telif Hakkı Url
(dc.rights.uri)
https://rightsstatements.org/page/InC-NC/1.0/?language=en
Açıklama [Genel]
(dc.description)
Final published version
Açıklama [Not]
(dc.description.note)
Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field.
Tanım Koleksiyon Bilgisi
(dc.description.collectioninformation)
This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr
Tek Biçim Adres
(dc.identifier.uri)
https://hdl.handle.net/20.500.11831/8153
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