The concept of emptiness in art and it's reflections on landscape painting

In this research, the definition and the meaning of concept of emptiness will be explored, and the relationship between the concept of nature and the concept of nature by the effect of sky, mountain, road and sea images in landscape paintings will be researched. In this process, not only landscape painting but also the changing ways of looking at the landscape are included. The aim of the research is to examine landscape painting in the context of the concept of emptiness by looking at major artists, groups and exhibitions from a conceptual framework. An artist working in the field of landscapes, regardless of the focus of the subject they are working on, first goes through a mental decision-making process. The artist's view of the landscape and the way they confine it within a delimited frame is subjective. Methodologically, this study is approached from two perspectives. The first is conceptual and the second is practical. Firstly, the conceptual framework on the subject was created and secondly, in line with the data obtained, the concept of emptiness and landscape painting in the course of history were examined formally, spiritually and conceptually in terms of selected painters and their works. The conclusion was that landscape paintings carry meditative elements that relax the mind in connection with the concept of emptiness and involve the viewer with the help of these elements.

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05 Nisan 2024 16:30
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Detaylı Görünüm
Eser Adı
(dc.title)
The concept of emptiness in art and it's reflections on landscape painting
Yazar [Asıl]
(dc.creator.author)
Çöplü, Fatma Selin
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences Doctoral Program in Plastic Arts and Painting
Yayın Tarihi
(dc.date.issued)
2023
Yayın Turu [Akademik]
(dc.type)
preprint
Yayın Türü [Ortam]
(dc.format)
application/pdf
Konu Başlıkları [Genel]
(dc.subject)
Emptiness
Konu Başlıkları [Genel]
(dc.subject)
Landscape
Konu Başlıkları [Genel]
(dc.subject)
Meditate
Konu Başlıkları [Genel]
(dc.subject)
Nature
Konu Başlıkları [Genel]
(dc.subject)
Space
Konu Başlıkları [Genel]
(dc.subject)
Boşluk
Konu Başlıkları [Genel]
(dc.subject)
Manzara
Konu Başlıkları [Genel]
(dc.subject)
Meditasyon yapma
Konu Başlıkları [Genel]
(dc.subject)
Doğa
Konu Başlıkları [Genel]
(dc.subject)
Uzay
Yayıncı
(dc.publisher)
Yeditepe University Academic and Open Access Information System
Dil
(dc.language.iso)
eng
Özet Bilgisi
(dc.description.abstract)
In this research, the definition and the meaning of concept of emptiness will be explored, and the relationship between the concept of nature and the concept of nature by the effect of sky, mountain, road and sea images in landscape paintings will be researched. In this process, not only landscape painting but also the changing ways of looking at the landscape are included. The aim of the research is to examine landscape painting in the context of the concept of emptiness by looking at major artists, groups and exhibitions from a conceptual framework. An artist working in the field of landscapes, regardless of the focus of the subject they are working on, first goes through a mental decision-making process. The artist's view of the landscape and the way they confine it within a delimited frame is subjective. Methodologically, this study is approached from two perspectives. The first is conceptual and the second is practical. Firstly, the conceptual framework on the subject was created and secondly, in line with the data obtained, the concept of emptiness and landscape painting in the course of history were examined formally, spiritually and conceptually in terms of selected painters and their works. The conclusion was that landscape paintings carry meditative elements that relax the mind in connection with the concept of emptiness and involve the viewer with the help of these elements.
Kayıt Giriş Tarihi
(dc.date.accessioned)
2024-01-16

(dc.date.available)
2024-01-16
Haklar
(dc.rights)
Yeditepe University Academic and Open Access Information System
Erişim Hakkı
(dc.rights.access)
Open Access
Telif Hakkı
(dc.rights.holder)
Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated.
Telif Hakkı Url
(dc.rights.uri)
http://creativecommons.org/licenses/by-nc-nd/4.0
Telif Hakkı Url
(dc.rights.uri)
https://rightsstatements.org/page/InC-NC/1.0/?language=en
Açıklama [Genel]
(dc.description)
Final published version
Açıklama [Not]
(dc.description.note)
Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field.
Tanım Koleksiyon Bilgisi
(dc.description.collectioninformation)
This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr
Tek Biçim Adres
(dc.identifier.uri)
https://hdl.handle.net/20.500.11831/8172
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