The past and current state of geometric abstract art

Following an introduction to abstract art this thesis study focuses on the geometric abstract art which emerged with the onset of abstract art in three time periods. In the first section which encompasses a time frame of approximately forty five years between the onset of abstract art in the begining of the 20th century and the end of World War II it is discussed how artists like Kandinsky and Malevich made a difference by breaking off from the convention and thus contributed to the existence of the geometric abstract art. In the second section which covers a time frame between the emergence of a new world order following World War II and the post modernism in 1980 the development phase of geometric abstract art is reviewed. Art movements such as Op Art, Minimalism and Colour Field Painting and the leading artists who enabled the development of abstract and geometric abstract art as a reaction to the totalitarian regimes of the pre 1945 period is examined. Also Turkish artists asscociated with geometric abstract art following affinity of Turkish art world with West after 1950 is reviewed. In the last section between 1980 and present the contemporary international and Turkish artists who do geometric abstract art is examined. It is pointed out that geometric abstract art at present is preserving its existence via internet and similar technologies and media applications in addition to conventional methods.

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Eser Adı
(dc.title)
The past and current state of geometric abstract art
Yazar [Asıl]
(dc.creator.author)
Eroğlu, Osman Selçuk
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences Doctoral Program in Plastic Arts and Painting
Yayın Tarihi
(dc.date.issued)
2023
Yayın Turu [Akademik]
(dc.type)
preprint
Yayın Türü [Ortam]
(dc.format)
application/pdf
Konu Başlıkları [Genel]
(dc.subject)
Abstrac
Konu Başlıkları [Genel]
(dc.subject)
Colour field painting
Konu Başlıkları [Genel]
(dc.subject)
Geometric
Konu Başlıkları [Genel]
(dc.subject)
Kazimir Malevich
Konu Başlıkları [Genel]
(dc.subject)
Media applications
Konu Başlıkları [Genel]
(dc.subject)
Op art
Konu Başlıkları [Genel]
(dc.subject)
Wasily Kandinsky
Konu Başlıkları [Genel]
(dc.subject)
Internet
Konu Başlıkları [Genel]
(dc.subject)
Minimalism
Konu Başlıkları [Genel]
(dc.subject)
Renkli alan boyama
Konu Başlıkları [Genel]
(dc.subject)
Geometrik
Konu Başlıkları [Genel]
(dc.subject)
Medya uygulamaları
Konu Başlıkları [Genel]
(dc.subject)
Opera sanatı
Konu Başlıkları [Genel]
(dc.subject)
Minimalizm
Yayıncı
(dc.publisher)
Yeditepe University Academic and Open Access Information System
Dil
(dc.language.iso)
eng
Özet Bilgisi
(dc.description.abstract)
Following an introduction to abstract art this thesis study focuses on the geometric abstract art which emerged with the onset of abstract art in three time periods. In the first section which encompasses a time frame of approximately forty five years between the onset of abstract art in the begining of the 20th century and the end of World War II it is discussed how artists like Kandinsky and Malevich made a difference by breaking off from the convention and thus contributed to the existence of the geometric abstract art. In the second section which covers a time frame between the emergence of a new world order following World War II and the post modernism in 1980 the development phase of geometric abstract art is reviewed. Art movements such as Op Art, Minimalism and Colour Field Painting and the leading artists who enabled the development of abstract and geometric abstract art as a reaction to the totalitarian regimes of the pre 1945 period is examined. Also Turkish artists asscociated with geometric abstract art following affinity of Turkish art world with West after 1950 is reviewed. In the last section between 1980 and present the contemporary international and Turkish artists who do geometric abstract art is examined. It is pointed out that geometric abstract art at present is preserving its existence via internet and similar technologies and media applications in addition to conventional methods.
Kayıt Giriş Tarihi
(dc.date.accessioned)
2024-01-18
Açık Erişim Tarihi
(dc.date.available)
2024-01-18
Haklar
(dc.rights)
Yeditepe University Academic and Open Access Information System
Erişim Hakkı
(dc.rights.access)
Open Access
Telif Hakkı
(dc.rights.holder)
Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated.
Telif Hakkı Url
(dc.rights.uri)
http://creativecommons.org/licenses/by-nc-nd/4.0
Telif Hakkı Url
(dc.rights.uri)
https://rightsstatements.org/page/InC-NC/1.0/?language=en
Açıklama [Genel]
(dc.description)
Final published version
Açıklama [Not]
(dc.description.note)
Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field.
Tanım Koleksiyon Bilgisi
(dc.description.collectioninformation)
This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr
Tek Biçim Adres
(dc.identifier.uri)
https://hdl.handle.net/20.500.11831/8205
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