Following an introduction to abstract art this thesis study focuses on the geometric abstract art which emerged with the onset of abstract art in three time periods. In the first section which encompasses a time frame of approximately forty five years between the onset of abstract art in the begining of the 20th century and the end of World War II it is discussed how artists like Kandinsky and Malevich made a difference by breaking off from the convention and thus contributed to the existence of the geometric abstract art. In the second section which covers a time frame between the emergence of a new world order following World War II and the post modernism in 1980 the development phase of geometric abstract art is reviewed. Art movements such as Op Art, Minimalism and Colour Field Painting and the leading artists who enabled the development of abstract and geometric abstract art as a reaction to the totalitarian regimes of the pre 1945 period is examined. Also Turkish artists asscociated with geometric abstract art following affinity of Turkish art world with West after 1950 is reviewed. In the last section between 1980 and present the contemporary international and Turkish artists who do geometric abstract art is examined. It is pointed out that geometric abstract art at present is preserving its existence via internet and similar technologies and media applications in addition to conventional methods.
Title (dc.title) | The past and current state of geometric abstract art |
Author [Asıl] (dc.creator.author) | Eroğlu, Osman Selçuk |
Yazar Departmanı (dc.creator.department) | Yeditepe University Graduate School of Social Sciences |
Yazar Departmanı (dc.creator.department) | Yeditepe University Graduate School of Social Sciences Doctoral Program in Plastic Arts and Painting |
Publication Date (dc.date.issued) | 2023 |
Publication Type [Academic] (dc.type) | preprint |
Publication Type [Media] (dc.format) | application/pdf |
Subject Headings [General] (dc.subject) | Abstrac |
Subject Headings [General] (dc.subject) | Colour field painting |
Subject Headings [General] (dc.subject) | Geometric |
Subject Headings [General] (dc.subject) | Kazimir Malevich |
Subject Headings [General] (dc.subject) | Media applications |
Subject Headings [General] (dc.subject) | Op art |
Subject Headings [General] (dc.subject) | Wasily Kandinsky |
Subject Headings [General] (dc.subject) | Internet |
Subject Headings [General] (dc.subject) | Minimalism |
Subject Headings [General] (dc.subject) | Renkli alan boyama |
Subject Headings [General] (dc.subject) | Geometrik |
Subject Headings [General] (dc.subject) | Medya uygulamaları |
Subject Headings [General] (dc.subject) | Opera sanatı |
Subject Headings [General] (dc.subject) | Minimalizm |
Publisher (dc.publisher) | Yeditepe University Academic and Open Access Information System |
Language (dc.language.iso) | eng |
Abstract (dc.description.abstract) | Following an introduction to abstract art this thesis study focuses on the geometric abstract art which emerged with the onset of abstract art in three time periods. In the first section which encompasses a time frame of approximately forty five years between the onset of abstract art in the begining of the 20th century and the end of World War II it is discussed how artists like Kandinsky and Malevich made a difference by breaking off from the convention and thus contributed to the existence of the geometric abstract art. In the second section which covers a time frame between the emergence of a new world order following World War II and the post modernism in 1980 the development phase of geometric abstract art is reviewed. Art movements such as Op Art, Minimalism and Colour Field Painting and the leading artists who enabled the development of abstract and geometric abstract art as a reaction to the totalitarian regimes of the pre 1945 period is examined. Also Turkish artists asscociated with geometric abstract art following affinity of Turkish art world with West after 1950 is reviewed. In the last section between 1980 and present the contemporary international and Turkish artists who do geometric abstract art is examined. It is pointed out that geometric abstract art at present is preserving its existence via internet and similar technologies and media applications in addition to conventional methods. |
Record Add Date (dc.date.accessioned) | 2024-01-18 |
Açık Erişim Tarihi (dc.date.available) | 2024-01-18 |
Haklar (dc.rights) | Yeditepe University Academic and Open Access Information System |
Erişim Hakkı (dc.rights.access) | Open Access |
Copyright (dc.rights.holder) | Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated. |
Copyright Url (dc.rights.uri) | http://creativecommons.org/licenses/by-nc-nd/4.0 |
Copyright Url (dc.rights.uri) | https://rightsstatements.org/page/InC-NC/1.0/?language=en |
Description (dc.description) | Final published version |
Description [Note] (dc.description.note) | Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field. |
Description Collection Information (dc.description.collectioninformation) | This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr |
Single Format Address (dc.identifier.uri) | https://hdl.handle.net/20.500.11831/8205 |