Critical realism and socialist realism in cinema: the example of “Yol Ayrımı” movie

Realism in art, when associated with political economy and philosophy, is not a field that has received much academic study. A work of art necessarily reflects a particular ideology or a particular worldview and is therefore political. The motion picture also reflects a particular worldview and mainstream motion pictures are often shaped by the dominant ideology, which is the reality of an idealistic worldview. When the production phase of a movie, the director and the director's worldview, the script, the budget, the advertising relations, in other words the production relations, are evaluated as a whole, it is seen that they are shaped in line with the dominant ideology and the capitalist system. Therefore, production relations have an impact on the reality reflected in a movie. Since mainstream cinema films are made with commercial concerns in mind, films with class representation in mainstream cinema does not contain an alternative political and philosophical critique when the relations of production are taken into account. This study shows that the socialist realist approach to art is integrally linked to philosophy, content and form, political economy and materialist philosophy as a worldview, while the critical realist theory of projection only ensures the reproduction of the existing system and the continuation of the dominant ideology. In this study, first of all, the relationship between artwork and realism will be evaluated and then the relationship between artwork and philosophy will be discussed. In conclusion, the film "Yol Ayrımı" (2017) will be analysed through the representations of realism in art.

Görüntülenme
21
19.01.2024 tarihinden bu yana
İndirme
1
19.01.2024 tarihinden bu yana
Son Erişim Tarihi
18 Mayıs 2024 14:47
Google Kontrol
Tıklayınız
Tam Metin
Tam Metin İndirmek için tıklayın Ön izleme
Detaylı Görünüm
Eser Adı
(dc.title)
Critical realism and socialist realism in cinema: the example of “Yol Ayrımı” movie
Yazar [Asıl]
(dc.creator.author)
Katun, Sıdıka Seda
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences Master’s Program in Radio Television and Cinema
Yayın Tarihi
(dc.date.issued)
2023
Yayın Turu [Akademik]
(dc.type)
preprint
Yayın Türü [Ortam]
(dc.format)
application/pdf
Konu Başlıkları [Genel]
(dc.subject)
Critical realism
Konu Başlıkları [Genel]
(dc.subject)
Idealist philosophy
Konu Başlıkları [Genel]
(dc.subject)
Materialist philosophy
Konu Başlıkları [Genel]
(dc.subject)
Realism in cinema
Konu Başlıkları [Genel]
(dc.subject)
Yol ayrımı
Konu Başlıkları [Genel]
(dc.subject)
Socialist realism
Konu Başlıkları [Genel]
(dc.subject)
Eleştirel gerçekçilik
Konu Başlıkları [Genel]
(dc.subject)
İdealist felsefe
Konu Başlıkları [Genel]
(dc.subject)
Materyalist felsefe
Konu Başlıkları [Genel]
(dc.subject)
Sinemada gerçekçilik
Konu Başlıkları [Genel]
(dc.subject)
Sosyalist gerçekçilik
Yayıncı
(dc.publisher)
Yeditepe University Academic and Open Access Information System
Dil
(dc.language.iso)
eng
Özet Bilgisi
(dc.description.abstract)
Realism in art, when associated with political economy and philosophy, is not a field that has received much academic study. A work of art necessarily reflects a particular ideology or a particular worldview and is therefore political. The motion picture also reflects a particular worldview and mainstream motion pictures are often shaped by the dominant ideology, which is the reality of an idealistic worldview. When the production phase of a movie, the director and the director's worldview, the script, the budget, the advertising relations, in other words the production relations, are evaluated as a whole, it is seen that they are shaped in line with the dominant ideology and the capitalist system. Therefore, production relations have an impact on the reality reflected in a movie. Since mainstream cinema films are made with commercial concerns in mind, films with class representation in mainstream cinema does not contain an alternative political and philosophical critique when the relations of production are taken into account. This study shows that the socialist realist approach to art is integrally linked to philosophy, content and form, political economy and materialist philosophy as a worldview, while the critical realist theory of projection only ensures the reproduction of the existing system and the continuation of the dominant ideology. In this study, first of all, the relationship between artwork and realism will be evaluated and then the relationship between artwork and philosophy will be discussed. In conclusion, the film "Yol Ayrımı" (2017) will be analysed through the representations of realism in art.
Kayıt Giriş Tarihi
(dc.date.accessioned)
2024-01-19
Açık Erişim Tarihi
(dc.date.available)
2024-01-19
Haklar
(dc.rights)
Yeditepe University Academic and Open Access Information System
Erişim Hakkı
(dc.rights.access)
Open Access
Telif Hakkı
(dc.rights.holder)
Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated.
Telif Hakkı Url
(dc.rights.uri)
http://creativecommons.org/licenses/by-nc-nd/4.0
Telif Hakkı Url
(dc.rights.uri)
https://rightsstatements.org/page/InC-NC/1.0/?language=en
Açıklama [Genel]
(dc.description)
Final published version
Açıklama [Not]
(dc.description.note)
Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field.
Tanım Koleksiyon Bilgisi
(dc.description.collectioninformation)
This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr
Tek Biçim Adres
(dc.identifier.uri)
https://hdl.handle.net/20.500.11831/8232
Analizler
Yayın Görüntülenme
Yayın Görüntülenme
Erişilen ülkeler
Erişilen şehirler
6698 sayılı Kişisel Verilerin Korunması Kanunu kapsamında yükümlülüklerimiz ve çerez politikamız hakkında bilgi sahibi olmak için alttaki bağlantıyı kullanabilirsiniz.

creativecommons
Bu site altında yer alan tüm kaynaklar Creative Commons Alıntı-GayriTicari-Türetilemez 4.0 Uluslararası Lisansı ile lisanslanmıştır.
Platforms