Time symbol and concept of time in painting from the XX century to the present

This dissertation examines the symbol and concept of time in art from the 20th century to the present. In addition, it investigates and evaluates the relationship between art and symbol in the context of ideational and plastic arts. Furthermore, this dissertation investigates the relationship of the array of artworks between new aspects of artistic creativity and symbolism and perception, a modern way of creating new time symbols and their transfer to the audience. Finally, this study investigates the external effects of the diversity of trends in Western art on artists and artist groups such as political, economic, and social. Thus, symbols, languages, and images are transformed in art, and new techniques and transfer methods to the audience emerge. In order to understand both time symbols and concepts more deeply, it is necessary to go back to the era when modern science was born. In order to understand the nature of time, this dissertation examines scientists theories about the “nature of time” from the Anatolian philosopher Heraclitus in ancient times and the ones from our present time, such as Stephen Hawking. Philosophical views on the concept of “time and symbols” also play an essential role. In this study, by investigating the way the painters construct their works of art, their search and use of new time symbols in terms of style, the interaction in contemporary art, the use of new techniques and materials by the artists, the concept of art for the concept of time and time symbols are analyzed. In the last part, Tetiana Müsevitoğlu’s paintings are included, the interaction with the time symbol and the concept of time is discussed, and the study is completed.

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20.02.2024 tarihinden bu yana
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Son Erişim Tarihi
18 Mayıs 2024 20:38
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Eser Adı
(dc.title)
Time symbol and concept of time in painting from the XX century to the present
Yazar [Asıl]
(dc.creator.author)
Müsevitoğlu, Tetiana
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences
Yazar Departmanı
(dc.creator.department)
Yeditepe University Graduate School of Social Sciences Doctoral Program in Plastic Arts and Painting
Yayın Tarihi
(dc.date.issued)
2023
Yayın Turu [Akademik]
(dc.type)
preprint
Yayın Türü [Ortam]
(dc.format)
application/pdf
Konu Başlıkları [Genel]
(dc.subject)
Art
Konu Başlıkları [Genel]
(dc.subject)
Concept of time
Konu Başlıkları [Genel]
(dc.subject)
Contemporary art
Konu Başlıkları [Genel]
(dc.subject)
Philosophy
Konu Başlıkları [Genel]
(dc.subject)
Science
Konu Başlıkları [Genel]
(dc.subject)
Symbol
Konu Başlıkları [Genel]
(dc.subject)
Sanat
Konu Başlıkları [Genel]
(dc.subject)
Zaman kavramı
Konu Başlıkları [Genel]
(dc.subject)
Çağdaş sanat
Konu Başlıkları [Genel]
(dc.subject)
Felsefe
Konu Başlıkları [Genel]
(dc.subject)
Bilim
Konu Başlıkları [Genel]
(dc.subject)
Sembol
Yayıncı
(dc.publisher)
Yeditepe University Academic and Open Access Information System
Dil
(dc.language.iso)
eng
Özet Bilgisi
(dc.description.abstract)
This dissertation examines the symbol and concept of time in art from the 20th century to the present. In addition, it investigates and evaluates the relationship between art and symbol in the context of ideational and plastic arts. Furthermore, this dissertation investigates the relationship of the array of artworks between new aspects of artistic creativity and symbolism and perception, a modern way of creating new time symbols and their transfer to the audience. Finally, this study investigates the external effects of the diversity of trends in Western art on artists and artist groups such as political, economic, and social. Thus, symbols, languages, and images are transformed in art, and new techniques and transfer methods to the audience emerge. In order to understand both time symbols and concepts more deeply, it is necessary to go back to the era when modern science was born. In order to understand the nature of time, this dissertation examines scientists theories about the “nature of time” from the Anatolian philosopher Heraclitus in ancient times and the ones from our present time, such as Stephen Hawking. Philosophical views on the concept of “time and symbols” also play an essential role. In this study, by investigating the way the painters construct their works of art, their search and use of new time symbols in terms of style, the interaction in contemporary art, the use of new techniques and materials by the artists, the concept of art for the concept of time and time symbols are analyzed. In the last part, Tetiana Müsevitoğlu’s paintings are included, the interaction with the time symbol and the concept of time is discussed, and the study is completed.
Kayıt Giriş Tarihi
(dc.date.accessioned)
2024-02-20
Açık Erişim Tarihi
(dc.date.available)
2024-02-20
Haklar
(dc.rights)
Yeditepe University Academic and Open Access Information System
Erişim Hakkı
(dc.rights.access)
Open Access
Telif Hakkı
(dc.rights.holder)
Unless otherwise stated, copyrights belong to Yeditepe University. Usage permissions are specified in the Open Access System, and "InC-NC/1.0" and "by-nc-nd/4.0" are as stated.
Telif Hakkı Url
(dc.rights.uri)
http://creativecommons.org/licenses/by-nc-nd/4.0
Telif Hakkı Url
(dc.rights.uri)
https://rightsstatements.org/page/InC-NC/1.0/?language=en
Açıklama [Genel]
(dc.description)
Final published version
Açıklama [Not]
(dc.description.note)
Note: This preprint reports new research that has not been certified by peer review and should not be used as established information without consulting multiple experts in the field.
Tanım Koleksiyon Bilgisi
(dc.description.collectioninformation)
This item is part of the preprint collection made available through Yeditepe University library. For your questions, our contact address is openaccess@yeditepe.edu.tr
Tek Biçim Adres
(dc.identifier.uri)
https://hdl.handle.net/20.500.11831/8245
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