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Analysis of the notions of identity and selfness in Istanbul Biennial and Manifesta Biennial

Preprint | 2023 | Yeditepe University Academic and Open Access Information System

Art, throughout history, has been a way of expression, in which people prefer to explain themselves, understand the world, and explain societies to each other. This way of expression, took shape on different notions, concepts, and phenomena, depending on the period. Notions of identity and selfness are the concepts that artists are working on. These notions, socially generate individuals and society, and frame them, also have been tried to interpret by approaching the hands of different disciplines of social sciences. In this work; identity and selfless which are some of the important notions of art, artist, and production of art, h . . .ave been approached with the help of the fields of sociology, philosophy, and psychology. In art, the dual perspective of identity and selfness, which create each other, has been tried to be traced. Examination, that has been made, is limited to “İstanbul Biennial” and “Manifesta: The European Nomadic Biennial” which emphasizes the concepts of identity and selfness and, on the other hand, it is composed of artworks analysis that is associated with concepts of identity and selfness, while researching for the structure of biennials Daha fazlası Daha az

The investment strategies of art funds

Preprint | 2023 | Yeditepe University Academic and Open Access Information System

This thesis study examines the conditions that laid the groundwork for art funds in particular, their formation and development processes, and subsequently analyses the properties of art funds as a type of investment fund, and their structure and diversity, ultimately closely examining their investment strategies in detail through examples. Although artworks have been known to be valuable for centuries, the classification and acceptance of artworks as an asset class is a newer phenomenon that occurred in the last century. The operating mechanisms unique to the art markets evolved within the limits of the potential provided by the de . . .veloping technology as financialization began to dominate all fields. This evolution brought the worlds of art and finance together in new practices. As changing economic conditions impacted different geographic regions simultaneously, creating fluctuations in markets, investors sought safe investments. Emerging at this moment, these new art market practices became an anchor for investors, presenting them attractive opportunities. Building upon the structures of hedge and private equity funds, art funds are portfolios put together to create profit through the acquisition of artworks. Largely and increasingly in developing economies, these funds provide opportunities for High-Net-Worth and Ultra-High-Net-Worth investors who want to invest in art as either as a major investment or a diversification factor in their portfolios. This study aims to examine the emergence and developmental stages of art funds under the influence of capitalism and globalization, as well as the art markets’ unique dynamics and their transformation into new forms in light of the financial markets’ simultaneous evolution with technology. Thus, this study will underline the details of the operating mechanisms of art funds and their investment strategies to contribute to future studies in the literature. Daha fazlası Daha az

International gold prices, gold reserves of central banks and debt stocks relationship: Analysis among G8 countries

Preprint | 2023 | Yeditepe University Academic and Open Access Information System

Gold is a commodity that has been used to protect the wealth of not only people but also organizations and states from past to present. For this reason, countries prefer to keep some of their reserves as gold through their central banks. At the financial macroeconomic level, the primary goal of countries is to sustain a healthy economic growth. However, when the economies of developed countries are examined, especially when the economic growth rate of the G8 countries, which are called the strongest countries class, is examined, it is seen that the public debt ratio is very high, which increases the risk levels of the countries. . . . Therefore, it is expected that the gold reserve demands of these countries will be in a causal relationship with international gold prices. In this study, the causality relationship between the public debt stock of countries, international gold prices and gold reserve of countries is investigated based on this question. The country sample is based on the quarter between 2008 and 2020 of the G8 country group. The analysis method has been utilized by econometric methods and the relationship between variables has been examined with panel granger causality analysis. As a result, a unidirectional causality relationship has been found between the debt stock of countries and international gold prices, and between gold reservoirs and debt stock Daha fazlası Daha az

New inclinations in the museumification process of private museums in turkey after 2010

Preprint | 2022 | Yeditepe University Academic and Open Access Information System

This study comprises the development of art collectorship in Turkey through the concept of collections and in comparison with the Western world, the transformation of these art collections into private museums in the 2000s, and the new inclinations regarding the location choices of private museums after 2010. Ever since the prehistoric period, humans have researched, discovered, and collected, evolving over the centuries to do it consciously and consistently, becoming collectors, and later, with rational categorization and institutionalization, secularizing their collections, thus establishing museums. Becoming wealthier through com . . .merce, while collectorship developed in Europe starting with the Renaissance in the 15th century, leading to collections becoming public in the 17th century and the start of modern museumification in the century that followed, it was the bourgeoisie that birthed European collectorship. The foundations of art collectorship lay with the autonomy and the commodification of art, which created its own market. Thus, art collectorship and the art market always progress simultaneously. In the Republic of Turkey, liberal economic policies starting in the 1980s allowed private capital to take over from the state, launching a period where artworks and collectorship increased. Attempting to integrate itself with the world as a result of the globalization policies of the 1990s, the 2000s for the Turkish art market, dominated by private capital, coincide with a highly dynamic period when the recently growing population of art collectors founded private museums in İstanbul by which they could receive exposure and recognition This period saw the emergence of culture and arts events and activities in the periphery. After 2010 this was followed by collectors who wished to bring their collections to the lands where they were born and dreamt about showing revealing the existence of a culture outside the center, who then established museums towards that goal Daha fazlası Daha az

Contributions of organizations in Istanbul Unkapani to popular music between 1960-2000

Preprint | 2023 | Yeditepe University Academic and Open Access Information System

This study is important in terms of contextualizing the scattered dissident voices that have developed in the Turkish geography, regardless of genre, within a broad perspective. It offers an uncommon combination of texts on music, art, social sciences, etc. Most of the studies on music to date have not touched upon the Unkapanı record stores bazaar. In this study, Unkapanı İMÇ (Istanbul ManifaturacılarÇarşısı)'s organizations from its first establishment until the time it lost its popularity, communication tools such as radio, cinema, TV used in the spread of popular music, the formation of Unkapanı, the rise of music companies are . . .discussed. Music is one of the most indispensable elements of human life, which is thought to exist with the existence of human beings. In this process, the art of music has become not only an interpreter of our feelings and emotions, but also an effective structure that can affect almost every aspect of our lives. In today's world, music has become not only a cultural and artistic element but also an important industrial product. Popular music, which has a very large place in today's social life and is one of the most important elements of popular culture, has become one of the most important sources of the music industry in our country as it is all over the world Daha fazlası Daha az

‘Tronie’ in dutch painting of the XVII Century

Resuloğlu, Teymur Rzayev

Preprint | 2023 | Yeditepe University Academic and Open Access Information System

The purpose of this study is to conduct a comprehensive analysis by identifying the formal similarities and functional differences between “Tronie” painting and portrait painting that emerged in Dutch Golden Age painting of the XVII century. The aspects of Tronie painting that deviate from the standard understanding of portraiture are not easy to determine, as it has broad significance in its own genre. It has been misinterpreted by scholars due to the stylistic similarities it exhibits in research, and the form-content structure has been analyzed and clarified with recent studies. Our study has shown that Tronie painting, although . . .formally similar to portraiture and other genre paintings, is a distinct genre in which artists clearly show their technical mastery; it is grouped within itself and reflected in other genre paintings of the period. The findings obtained through the analyzes we have made have confirmed the hypothesis that Tronie painting is an independent genre, showing its adherence to the painting tradition. It occupies an important place in the process of development of the history of painting, as it enriches portrait painting through the experimental (empirical) basis it provides to painters Daha fazlası Daha az

Social mobility from city to province in new Turkish cinema

Resuloğlu, Teymur Rzayev

Preprint | 2023 | Yeditepe University Academic and Open Access Information System

This thesis deals with the reflection of the concept of social mobility from the city to the province in the movies produced between the years 1990 and 2000, when the New Turkish Cinema came to the fore in Turkey. Before 1990, the mobility from the countryside to the city was on the contrary, towards the countryside again. For this reason, the homeland of the New Turkish Cinema is the countryside. Especially after 1990, the increasing importance of the countryside in cinema means a mood for the characters rather than being a place. In a perspective stretching from the end of the 90s to the 2000s, the countryside is sometimes defined . . . as a place to live in and sometimes to return to. After the transition from the city to the countryside was explained in the cinema during the Yeşilçam period, the return to the countryside in the New Turkish Cinema was tried to be explained through the films “KışUykusu”, “Yumurta”, “Ana Yurdu” and “Kelebekler”. The main reason for limiting the study to these four films is that these films, which were shot in different periods and by different directors, can unite on common ground thematically. The plots of these four films unite under the themes of returning to the countryside as a form of reconstruction, returning to the countryside after trauma, returning to the countryside as an intellectual crisis, and returning to the countryside in the pursuit of lost time Daha fazlası Daha az

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